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By Sarah Morris, Hans Ulrich Obrist (auth.)

ISBN-10: 3709110319

ISBN-13: 9783709110317

ISBN-10: 3709110327

ISBN-13: 9783709110324

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Extra info for An Open System Meets an Open System: Sarah Morris and Hans Ulrich Obrist in Conversation

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Joan Didion has always interested me because of that type of portraiture and writing and, most significantly, that position. HUO And who are other writers you are sort of constantly interested in, besides her? You have mentioned Kurt Vonnegut to me a lot. He was almost your neighbor, wasn't he? SM Yes, I have mentioned Vonnegut a lot. I would go out to have coffee in this place right near where I live, near the United Nations, and I would always see this very cool , very tall guy with white plimsolls.

The curator involved in the project got very worried that I had titled the piece Robert Towne. I said, there is nothing to worry about: it's such a generic name, and anyway, it's my prerogative to title it anything I want. But she was very worried. And then I wanted to use a photo of Robert Towne that Robert Evans had given me of him in front of the Bonaventure Hotel on the night he won the Oscar for Chinatown in 1974. Meanwhile I was already in preproduction for Beijing. Speaking of chains, here we go.

Publishing is in a massive transition. They are not dying, but it is just in transition. Playboy has no idea what to do, it's pretty clear. It's amazing they don't know what to do right now. They know how to license products and hats and shirts and whatever, and what's interesting about it, actually, you know, possibly from a feminist point of view, is that actually the magazine isn't successful because of the magazine content. The magazine is successful because of the abstraction of the rabbit and its licensing of that image.

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An Open System Meets an Open System: Sarah Morris and Hans Ulrich Obrist in Conversation by Sarah Morris, Hans Ulrich Obrist (auth.)

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